ChipNomad is a chiptune tracker for handheld consoles (Anbernic, TrimUI, Retroid, etc) and desktop platforms. It is heavily inspired by LSDJ and Dirtywave M8 tracker. ChipNomad emulates real sound chips and allows making music that can be played on retro platforms such as ZX Spectrum, Amstrad CPC, Atari ST, etc. It also gives more freedom within reasonable limitations inspired by those platforms.

SonicSketch works like the UPIC of Iannis Xenakis or synthesizes images as sound. In particular, this application uses hand-drawn sketches to convert music and synthesizers.

openDAW is a next-generation web-based Digital Audio Workstation (DAW) designed to democratize music production and to resurface the process of making music by making high-quality creation tools accessible to everyone, with a strong focus on education and hands-on learning.

openDAW is designed with a strong focus on separation of concerns:

The studio runs independently of any specific service infrastructure.
There is no required login, no vendor lock-in.
Users can work immediately in the browser without creating an account.

The Fluid Corpus Manipulation project (FluCoMa) instigates new musical ways of exploiting ever-growing banks of sound and gestures within the digital composition process, by bringing breakthroughs of signal decomposition DSP and machine learning to the toolset of techno-fluent computer composers, creative coders and digital artists.

File upload and sound recording for livecoding sessions

A synthesizer built with Vue.js and C++ (compiled to WebAssembly).
The UI is inspired by Ableton Playground.

nudel is a public jam space, made by pastagang.
Strudel, Hydra and kabalsalat livecoding tools.

AI powered experimental sampler. Explore your sound collection by creating your own constellations with thousands of sounds. Play in creative new ways interacting with the generated map and connecting with other software and hardware devices. Invent your own way for playing.

This is an experiment in making an editor for livecoding.

make music with code. connect different nodes like a synth, sequencer or sampler.

Orchestra is an open-source for live music performances in metaverse environments. Orchestra includes components for live performances in A-Frame/NAF-based metaverse environments, with real-time streaming of volumetric video and audio, live coding and the integration of PureData for performances with virtual instruments and interactive algorithms.

Code for the paper "Jukebox: A Generative Model for Music"

A custom sample mashing app designed by Aphex Twin.

Samplebrain chops samples up into a 'brain' of interconnected small sections called blocks which are connected into a network by similarity. It processes a target sample, chopping it up into blocks in the same way, and tries to match each block with one in its brain to play in realtime.

Drone music application for Gameboy. Droneboy creates endless tones or drones on the Gameboys four channels. You can manipulate volume, duty and frequency.

librosa is a python package for music and audio analysis. It provides the building blocks necessary to create music information retrieval systems.

An experimental terminal editor for TidalCycles.

Troop is a real-time collaborative tool that enables group live coding within the same document across multiple computers. Hypothetically Troop can talk to any interpreter that can take input as a string from the command line but it is already configured to work with live coding languages FoxDot, TidalCycles, and SuperCollider.

Web-based P2P collaborative editor for live coding music and graphics

Sema is a playground where you can rapidly prototype live coding mini-languages for signal synthesis, machine learning and machine listening.

Sema aims to provide an online integrated environment for designing both abstract high-level languages and more powerful low-level languages.

This is software for collaborative live coding. On one machine, you run an extramuros "server". Then, from as many machines as you like, you use a web browser to connect to the server and code into shared text buffers. Finally, and again from as many machines as you like, your run the extramuros "client" code in order to receive code from the server and pipe it to the language interpreter of your choice (SuperCollider, Tidal, etc). Think of the "client" code as a way for machines to listen in on a public stream of code.